Caught The Sacred Riana on _America's Got Talent_ on AXN. I love the content of her illusionism, but I'm afraid that American judges don't like it when they are not in control of any situation. It makes them feel powerless--which goes against everything they ever worked hard for.
Continued from tonyperezphilippinescyberspacebook39.blogspot.com
Vanitas/Photo by JR Dalisay

Vanitas/Photo by JR Dalisay, April 21, 2017
Thursday, May 31, 2018
Wednesday, May 30, 2018
Your Messenger messages:
"sir tony magandang gabi. ano pong ibigsabihin po ng dalawang guinea pigs sa panaginip kp. nagulat po ako at nagising ako na nasa kama ko yung isa walang balahibo sa may leeg. yung isa naman po sobrang laki (taba). ang pakiramdam ko po sa panaginip ko ay nag panic ako dahil nakawala po sa cage. not sure po kung natakot ako. salamat po."
"magandang umaga sir tony. medyo kakaiba po panaginip ko ngayon. kasi nakaburol na tapos parang nag regain ng strength kasi sa una mumulat ng matabtapos parang gusto niyang lumabas ng kabaong tho pinipigilan siya. tapos nakalabas na siya. tho ako ay lumayo kasi natakot ako. weird lang kasi nung lumabas na siya parang bumata (from old age, pagkalabas naging super young adult siya. )tapos yun nakalabas siya ng kabaong . sabi ko nga, diba inembalsamo siya. pero nabuhay siya.
"salamat po."
"sir tony magandang gabi. ano pong ibigsabihin po ng dalawang guinea pigs sa panaginip kp. nagulat po ako at nagising ako na nasa kama ko yung isa walang balahibo sa may leeg. yung isa naman po sobrang laki (taba). ang pakiramdam ko po sa panaginip ko ay nag panic ako dahil nakawala po sa cage. not sure po kung natakot ako. salamat po."
"magandang umaga sir tony. medyo kakaiba po panaginip ko ngayon. kasi nakaburol na tapos parang nag regain ng strength kasi sa una mumulat ng matabtapos parang gusto niyang lumabas ng kabaong tho pinipigilan siya. tapos nakalabas na siya. tho ako ay lumayo kasi natakot ako. weird lang kasi nung lumabas na siya parang bumata (from old age, pagkalabas naging super young adult siya. )tapos yun nakalabas siya ng kabaong . sabi ko nga, diba inembalsamo siya. pero nabuhay siya.
"salamat po."
My reply:
Hello ______!
The first dream reflects a depression you seem to be going through. The fat, oversize guinea pig represents life and prosperity, the guinea pig without fur round its neck represents suicidal thoughts. If you are on any kind of medication, I suggest you quit and go cold turkey through the withdrawal symptoms. Take a vacation, go somewhere you've never been before, engage in volunteer work to assist the needy.
The second dream is conveying to you that a cadaver in a coffin is a metaphorical image of defeat. Acceptance of defeat, however, is not actual death. The young adult who rises from the old person's coffin is a reminder that you can spiritually and psychologically revive or resurrect and face the world in a new beginning.
Tuesday, May 29, 2018
Am hooked on NCIS: New Orleans even if all the episodes are replays on Fox (and not chronologically presented at that) because I like Dwayne Pride's ground-floor bar and upper-floor living rooms in the French Quarter. I'm pretending that my house looks like that, with M.'s cafe on the street side of the ground floor and our upper floor wrapped around with a steel balcony (minus the gingerbread and curlicues, which are hellish to maintain) and with all-around grilles with fire escape windows for security.
We are in thousands, if not millions, of places called heaven.
In your father's heaven you are a successful and responsible professional.
In your mother's heaven you are a cute and playful child.
In your spouse's heaven you are a loving and devoted partner.
In the heaven of the person who has a crush on you, you are a passionate lover.
Each heaven has different mansions and different houses.
Each heaven does not include the people you do not like.
In each heaven, there is God, because God is everywhere.
You may not be everywhere yourself, but you are in all the places called heaven of everyone who loves you.
In your father's heaven you are a successful and responsible professional.
In your mother's heaven you are a cute and playful child.
In your spouse's heaven you are a loving and devoted partner.
In the heaven of the person who has a crush on you, you are a passionate lover.
Each heaven has different mansions and different houses.
Each heaven does not include the people you do not like.
In each heaven, there is God, because God is everywhere.
You may not be everywhere yourself, but you are in all the places called heaven of everyone who loves you.
Monday, May 28, 2018
One-hour business meeting with M. He, too, had a stressful day. He visited his hometown over the weekend because their grandmother suffered a heat stroke. On the way back to Manila yesterday their bus had a flat tire and they had to wait three hours through dawn to get on another bus.
Gave him a shot of lambanog and told him to sip a little at a time.
Gave him a shot of lambanog and told him to sip a little at a time.
Sunday, May 27, 2018
Your Messenger message:
"Dearest Tony,
"Again a surreal dream. "It all started swimming and calling out dolphins. Then Beluga whales came from out of nowhere and started their singing. One morphed into human form and so did the others and started making loe to us humans. And they spoke to us. The image of the beluga whales that turned into human forms where the stereo typical mermaid look. And I was wondering inside the dream how I was able to penetrate the mermaid with blue eyes and vlonde hair. Then I flew to the top of a mountain where there was strife. I was King or the Son of a King. Many took turns into feeding me and helping me around the top of the mountain. The look was medieval, everyone looked liked they came from the series Game of Thrones and a western movie. I was led into a room of singing women. Dressed liked Parisians in the 19th century. Black and white races singing a song that I did not understand. Then I flew to a group of men with horses. I rode a wagon with my Mother who was telling me I was to go to my coronation. But the 4 horse led wagon was going fast and I was telling the wagon driver to slow down. It felt like a rollercoaster ride. And I turned to see what was happening at the back of the wagon. Many horses follwed but they were also fighting of a group of men trying to get to me. I jumped off the wagon and rode my own horse. And I asked for a saddle. There were shots that fired in my directions and I saw many of my so called army fall off their horses. The colour of my horse was a beigey brown with a blonde mane. I ended up being crowned but it was only with my Mother and the priest inside this great Church. I really want to know what these things mean. thanks"
"Dearest Tony,
"Again a surreal dream. "It all started swimming and calling out dolphins. Then Beluga whales came from out of nowhere and started their singing. One morphed into human form and so did the others and started making loe to us humans. And they spoke to us. The image of the beluga whales that turned into human forms where the stereo typical mermaid look. And I was wondering inside the dream how I was able to penetrate the mermaid with blue eyes and vlonde hair. Then I flew to the top of a mountain where there was strife. I was King or the Son of a King. Many took turns into feeding me and helping me around the top of the mountain. The look was medieval, everyone looked liked they came from the series Game of Thrones and a western movie. I was led into a room of singing women. Dressed liked Parisians in the 19th century. Black and white races singing a song that I did not understand. Then I flew to a group of men with horses. I rode a wagon with my Mother who was telling me I was to go to my coronation. But the 4 horse led wagon was going fast and I was telling the wagon driver to slow down. It felt like a rollercoaster ride. And I turned to see what was happening at the back of the wagon. Many horses follwed but they were also fighting of a group of men trying to get to me. I jumped off the wagon and rode my own horse. And I asked for a saddle. There were shots that fired in my directions and I saw many of my so called army fall off their horses. The colour of my horse was a beigey brown with a blonde mane. I ended up being crowned but it was only with my Mother and the priest inside this great Church. I really want to know what these things mean. thanks"
My reply:
Hello ________!
Your dream reflects that you are currently torn between opposing values: humans versus mammals, ocean versus mountaintop, black versus white, fast versus slow, four-horse wagon versus single horse. You have recently married and it is normal for your subconscious to question, some time after marriage, whether you made the right decision and whether you would have been happier or not remaining single. This is part of the so-called period of adjustment, which Tennessee Williams wrote a play about. (Ironically his least celebrated and least published play.)
The ocean represents your feminine side. The dolphins and whales are female, and they, along with the element water, represent one kind of sensuality.
The mountaintop represents your masculine side. The horses are male, and they also represent sensuality, but of a different kind--the kind of sensuality brought about by speed and even by fighting.
Being married is often characterized by the idiom "settling down". It takes maturity and wisdom in order to be able to do so. You have not yet "settled down" because a part of you still clings to a youth and a wanton past that you are not completely willing to leave behind.
Embrace your new status in life with full commitment. Only then can your psyche crown you as king.
Your Messenger message:
"Good afternoon, Sir Tony. Within the past year, I hit rock bottom. At the age of __, I should have established myself well and lived independently without having to ask my parents for financial support. I have constantly battled with that thought over the course of the years. Am I worthless? Why am I like this? I wanted to change but it doesn't come as easy as I wanted to.
"I manage somehow to alleviate the pain that it caused but it has consistently given me the same struggle after everything turns okay for a short while. I tried to see through my behavior pattern, tried myself to wake up and see beyond the struggles to no avail. I can't find the root cause of my bad habits, heightened anxiety, and depression. I am lethargic. I get irritated sometimes at the most trivial things. I seem to not know where I am going despite constant meditation of what could truly be my calling. It seems that, lately, I am just out of it. "I want to gain as much strength to change my luck but I tend to go back to my old ways. I take consolation from the thought that it is all part of my karmic debt. That I needed to experience this in order to be truly free. But, there just seems no end to it. I tried my best to be a ray of sunshine to everyone that I meet. But, I badly need that ray of sunshine to myself right now. If it is not too much, please help me think rationally through your advice. I am at my darkest of dark right now."
"Good afternoon, Sir Tony. Within the past year, I hit rock bottom. At the age of __, I should have established myself well and lived independently without having to ask my parents for financial support. I have constantly battled with that thought over the course of the years. Am I worthless? Why am I like this? I wanted to change but it doesn't come as easy as I wanted to.
"I manage somehow to alleviate the pain that it caused but it has consistently given me the same struggle after everything turns okay for a short while. I tried to see through my behavior pattern, tried myself to wake up and see beyond the struggles to no avail. I can't find the root cause of my bad habits, heightened anxiety, and depression. I am lethargic. I get irritated sometimes at the most trivial things. I seem to not know where I am going despite constant meditation of what could truly be my calling. It seems that, lately, I am just out of it. "I want to gain as much strength to change my luck but I tend to go back to my old ways. I take consolation from the thought that it is all part of my karmic debt. That I needed to experience this in order to be truly free. But, there just seems no end to it. I tried my best to be a ray of sunshine to everyone that I meet. But, I badly need that ray of sunshine to myself right now. If it is not too much, please help me think rationally through your advice. I am at my darkest of dark right now."
My reply:
Hello _______!
You need to have a circle of true friends who can frequently be with you and can support you emotionally.
There is one piece of advice I gave you more than once, and it seems that you have not acted on it: Seek counseling from a FEMALE psychologist who lives near you and who will not make money out of you. I cannot believe that no such person exists in your community. As you know, one doesn't even need a degree in Psychology in order to be an excellent psychologist.
In the end, of course, she will tell you that no one can help you but yourself.
Saturday, May 26, 2018
Back from the family dentist's. Chito needs to go back on Monday.
Dinner at the center with Chito. Paid our cable bill and bought another lantern.
Then went home and had a Sam Yang and German sausage dinner with Aubrey.
Restored throw pillows on the elephant chairs in the living area. Five huge paintings are now wrapped and ready for delivery, and the living area looks like a living area once again.
Dinner at the center with Chito. Paid our cable bill and bought another lantern.
Then went home and had a Sam Yang and German sausage dinner with Aubrey.
Restored throw pillows on the elephant chairs in the living area. Five huge paintings are now wrapped and ready for delivery, and the living area looks like a living area once again.
Lunch at home with Aubrey. Angelique with classmates in Tagaytay for a post-final-exam, overnight stay.
Now waiting for word from our family dentist informing me that my son Chito's long session is over.
Didn't paint yesterday and don't feel like painting today. I'll pick up after my travel documents are complete.
I DID finish the syllabi for the two playwriting workshops I am conducting.
Now waiting for word from our family dentist informing me that my son Chito's long session is over.
Didn't paint yesterday and don't feel like painting today. I'll pick up after my travel documents are complete.
I DID finish the syllabi for the two playwriting workshops I am conducting.
Many people have been using the terms "going to the light", "crossing over", and "moving on" to depict the transition of a deceased person's spirit to a better state. This is even portrayed in the _Ghost Whisperer_ series that my sister Sylvia sent me as a DVD set from Sydney. In that series, spirits walk away and fade from view as though to travel to a distant place where they can no longer be seen or heard from.
My observation shows otherwise. Take the word "light" as the root word of "enlightenment". A spirit bogged down by earthly issues suddenly merges with the cosmic mind (or the divine mind, if you will) and suddenly sees everything from a macroscopic point of view. In computer imagery, the spirit is subjected to "Auto Correct", and all of its colors become clearer and more vivid. All of this can occur in a microinstant as long as the spirit is willing to be "enlightened".
Thus, all of the spirits of the deceased are very much still with us. They did not go to a place of intense brightness or cross a long bridge or ride a canoe across an astral ocean or get transported to a faraway location inaccessible to the living.
They simply stop communicating with us because WE are bogged down by earthly issues, and they are patiently waiting for US to be "enlightened".
My observation shows otherwise. Take the word "light" as the root word of "enlightenment". A spirit bogged down by earthly issues suddenly merges with the cosmic mind (or the divine mind, if you will) and suddenly sees everything from a macroscopic point of view. In computer imagery, the spirit is subjected to "Auto Correct", and all of its colors become clearer and more vivid. All of this can occur in a microinstant as long as the spirit is willing to be "enlightened".
Thus, all of the spirits of the deceased are very much still with us. They did not go to a place of intense brightness or cross a long bridge or ride a canoe across an astral ocean or get transported to a faraway location inaccessible to the living.
They simply stop communicating with us because WE are bogged down by earthly issues, and they are patiently waiting for US to be "enlightened".
Friday, May 25, 2018
Thursday, May 24, 2018
Your Messenger message:
"Hi ___. How are you? I just want to share a dream I had from the other night.I hope I can get an insight from you.Thank you and have a wonderful productive day ___!
"1.Parang isang eksena sa isang 'Documentary'.Mga gusali na tila factories.Isa-isa at dahan dahang nagsisipag sara ang mga gate o pintuan nito.Rolling doors.
Pag tapos ay parang naging 'eeire' ang buong paligid.Tahimik at walang mga tao.
"Huwag po sana kayong matatawa and my interpretation is:
1.Self pity? Pagkababa ng self esteem?
2.Ako si '____' at ang malalaking ahas ay ang mga sitwasyon kong kinakaharap o haharapin pa lang.Ako ay nababahala na kung hindi ko ito lahat mai oovercome ay magiging trahedya o miserable ang lahat.
3.May mga bagay akong ginagawa o iniisip sa aking buhay na hindi naman direktang nakakatulong sa aking sarili. Kasabay nito ay ang pag focus sa mga bagay na hindi ko naman dapat alalahanin o paki alamanan.Nagsasabing ang bagay sa aking sarili ang aking pag tuunan at hindi ang problema ng iba.
4.Ito ay nagsasabi na ako ay parang nasa sitwasyon na napag daanan ko na dati.Mga problema na kailangan ko na naman harapin.Harapin ng walang takot at pag aalinlangan at ito ay aking muling mapapag tagumpayan."
"Hi ___. How are you? I just want to share a dream I had from the other night.I hope I can get an insight from you.Thank you and have a wonderful productive day ___!

"1.Parang isang eksena sa isang 'Documentary'.Mga gusali na tila factories.Isa-isa at dahan dahang nagsisipag sara ang mga gate o pintuan nito.Rolling doors.
Pag tapos ay parang naging 'eeire' ang buong paligid.Tahimik at walang mga tao.
"2.Nakita ko ang asawa ng kapatid ng aking misis na si '____' kasabay sa dalawang malalaking ahas na mistulang pababa mula sa itaas ng isang gusali.Papunta sa direksyon ni ____.Napakalaki ng ahas na mukhang kayang kaya kumain ng isang buong tao.Binigyan ko ng babala si ____ na maaari siyang lamunin ng mga ito.Naging 'birds eye view' ang aking tanawin habang nasa aktong lalamunin si ____ ng mga ahas.
"3.Tila parang nasa trabaho ko ang eksena na ito.Sa isang event na aking gagawin.May dala dala akong bagay na aking nailaglag,mga mahahabang piraso ng kahoy.Ngunit sa isip ko hindi ko rin alam kung para saan iyon dahil hindi naman iyon ang ginagamit ko sa aking trabaho.Kasabay nito ay mga tao na daraan sa aking harapan ngunit mapapahinto ng bahagya dahil may mga nakaharang sa daraanan.Mga net bag na may mga maliliit na ahas sa loob nito.Aking pinulot pra itabi at nang makaraan sana ang mga tao, kahit na ang pakiramdam ay may kasamang takot at pandidiri.Buhay ang mga malililit na ahas at nagpupumiglas makalabas sa net bag.
"4.Ako ay nasa isang bilyaran kasama ng ibang tao.Ng biglang nasa harapan ko ang aking dating kaiskwela noong High school.
Hindi ko siya gusto at may galit sa kanya dahil madalas siyang mang busko o mang bully.Sinugod ko siya at pinag susuntok gamit ang bola ng bilyar.Hanggang siya matumba at pumaibabaw ako sa kanya.Patuloy ang aking pambubugbog ng galit na galit hanggang sa tila mawasak na ang kaniyang mukha."Huwag po sana kayong matatawa and my interpretation is:
1.Self pity? Pagkababa ng self esteem?
2.Ako si '____' at ang malalaking ahas ay ang mga sitwasyon kong kinakaharap o haharapin pa lang.Ako ay nababahala na kung hindi ko ito lahat mai oovercome ay magiging trahedya o miserable ang lahat.
3.May mga bagay akong ginagawa o iniisip sa aking buhay na hindi naman direktang nakakatulong sa aking sarili. Kasabay nito ay ang pag focus sa mga bagay na hindi ko naman dapat alalahanin o paki alamanan.Nagsasabing ang bagay sa aking sarili ang aking pag tuunan at hindi ang problema ng iba.
4.Ito ay nagsasabi na ako ay parang nasa sitwasyon na napag daanan ko na dati.Mga problema na kailangan ko na naman harapin.Harapin ng walang takot at pag aalinlangan at ito ay aking muling mapapag tagumpayan."
My reply:
Hello _____!
I have always believed that the dreamer himself is the best interpreter of the dream, so go with your intuition.
I might just add:
When a dream occurs in several parts, all of those parts bear one, identical, message, as though your psyche wants to be sure that you are able to accept the message, no matter how painful, in different, metaphorical, message variations.
I see this dream possibly as your subconscious dissatisfaction with your married life. There are many times when you wish you were a bachelor all over again with the freedom to make decisions on your own. It could be that frequent disagreements with your spouse led to this dream. It could also be that making compromises has become tiresome to you.
1. Your psyche is showing you a documentary featuring a drab, unexciting existence.
2. Yes, you are '____'. You are watching yourself being devoured by social expectations.
3. You are torn between 'building' a new life, hence the pieces of wood, but are distracted by other matters related to social expectations.
4. You are back in high school. You vent your anger on a person who is single because you are unable to be single like he is.
On another level, see whether the snakes in your dream represent lust, rather than social expectations. If that perspective is more valid, there is a need for you to repress your urges, especially considering that you are currently residing and working in a country that has many, rigid rules.
Your Messenger message:
"Good evening, sir Tony. I was told by a friend about you interpreting dreams. I've been having weird dreams lately. Also, I'm two-month pregnant. I don't know if that has something to do with me being pregnant right now. But here are some of the dreams I had from these past few days. One, I was told by my uncle that the payment for his service will be given on October. And he's rendering the service now for a prenup shoot. We just had a film fest that almost got no funding and we still have lots of payables and the PF he's waiting will be paid for all those payables.
"Second, just last night, I have dreamt that I was in an island and all of the people in there are naked."
My reply:
Hello _______!
Yes, your dream is connected with your being pregnant. Your dream is about waiting and anticipating.
As to the island on which people are naked, you feel uncomfortable, if not embarrassed, looking pregnant to other people. Try to overcome this feeling, because it affects the child in your womb.
"Good evening, sir Tony. I was told by a friend about you interpreting dreams. I've been having weird dreams lately. Also, I'm two-month pregnant. I don't know if that has something to do with me being pregnant right now. But here are some of the dreams I had from these past few days. One, I was told by my uncle that the payment for his service will be given on October. And he's rendering the service now for a prenup shoot. We just had a film fest that almost got no funding and we still have lots of payables and the PF he's waiting will be paid for all those payables.
"Second, just last night, I have dreamt that I was in an island and all of the people in there are naked."
My reply:
Hello _______!
Yes, your dream is connected with your being pregnant. Your dream is about waiting and anticipating.
As to the island on which people are naked, you feel uncomfortable, if not embarrassed, looking pregnant to other people. Try to overcome this feeling, because it affects the child in your womb.
Wednesday, May 23, 2018
Been using Regina's dragon's blood soap for close to two weeks now and loving it. It turns my skin and the bathroom floor tiles red in the shower, then washes off and disappears. Makes one feel like Siegfried bathing in the slain dragon's blood, thankfully, minus the leaf. Uncannily, I did escape a few, potential mishaps during this time.
Tuesday, May 22, 2018
In the 19th century painting was all about seeing things differently as a result of challenges posed by photography.
In the 20th century it was all about mastery of technique as a result of challenges posed by computer graphics.
In the 21st century it is all about seeing things inside your inner space without the assistance of the breakthroughs of the previous centuries.
In the 20th century it was all about mastery of technique as a result of challenges posed by computer graphics.
In the 21st century it is all about seeing things inside your inner space without the assistance of the breakthroughs of the previous centuries.
Monday, May 21, 2018
_Night Walker: Studies In Multiple Perspective_
This electronic exhibit was commissioned by my high school class, 4-F Elans, as one of its activities commemorating its 50th year. The beneficiary of sales is the Philippine Jesuit Aid Association (PJAA). Interested buyers should contact Mr. Ramon Puno via ramonvpuno@yahoo.com. Not me.
Artist's Notes:
Artist's Notes:
Night Walker: Studies In Multiple Perspective
Tony Perez
New Works In Oil
I see rainbows even in darkness.
When I was 18 I loved roaming the streets of Cubao at night, taking in the lights and the shadows, marveling at how colors look different than they do in the daytime, passing by workers closing up shop, listening to their conversations and their dreams, merging with the district before going home and processing my observations in the privacy of my own room.
In this exhibit I revisit those nights and see how "closing time" can also mean "retirement" for myself and my former classmates of 4-F Elans, which celebrates its 50th year. It is an exciting time in life because the night never shows up treasures and surprises until someone shines light on them.
Most of these paintings depict scenes from my neighborhood, in Cubao. It is the height of the Philippine summer, and people are switching from incandescents to fluorescents to dispel the heat and generate the kind of brightness they can work by, and read by, and write by, and paint by, and see themselves all the better by.
I walk the night. Come, walk with me.
Pink Canteen
Oil on cradled canvas
36" x 36"
March 6 - April 6, 2018
Orange Burger Stand
Oil on cradled canvas
36" x 36"
April 10 - 19, 2018
Green Sari-Sari
Oil on cradled canvas
36" x 36"
April 24 - May 13, 2018
Blue Ice Dealer's
Oil on cradled canvas
36" x 36"
April 10 - 24, 2018
Yellow Food Stall
Oil on cradled canvas
36" x 36"
March 6 - April 6, 2018
Violet Waiting Shed
Oil on canvas
16" x 20"
April 25 - 30, 2018
Red Vendor's Spot
Oil on canvas
14" x 18"
April 30 - May 5, 2018
Brown Pick-up Point
Oil on linen
7" x 5"
May 6 - 9, 2018
Learned a new, Filipino word from Easter Canoy today: "balinsayao", meaning, "black onyx", in one of the Palawan languages. Apparently this black stone is indigenous to the northern part of the island. The legend about this stone, according to Easter, is that it will not melt when subjected to fire.
Anthropologist Easter Canoy visited to give me a copy of her project publication on recorded oral traditions of tribes in Bukidnon that the elders and keepers allowed to be published. One of the elders is Bae Inatlawan, whom my family and I had the privilege of meeting in 2006.
Altars and offerings
A babaylan's glossary of terms
Reverse hospitality? Easter brought her own lunch because she is a vegetarian--and shared it with me. Wheat bread, hash browns, and pasta with shiitake mushrooms and basil.
Altars and offerings
A babaylan's glossary of terms
If there was anything nightmarish about my work before I retired, it was traveling alone to distant locations to conduct creative writing workshops, monitor heritage conservation projects, and meet up with Filipino teachers and students we were sending on short-term grants to the U.S. On one level it was a series of nights in strange hotels filled with spirits of the deceased, if not elementals. They kept me up most of the night. They were more hungry for conversation than the workshop participants, heritage conservators, teachers, and students were. But, maybe the worst part was being away from my family two or three nights at a time.
Posted by my professor Manny de Guzman at Maryhill School of Theology:
"Sharing this reflections from my wall, with Tony's painting. - CHILDREN OF THE VOICE… It’s Pentecost Sunday, known popularly for the symbol of the tongues of fire for the Holy Spirit descending upon the community of disciples. Today I chose another symbol and another personage to speak of the birthing of the prophetic Christian movement…
"I’m wrapping up the academic year with defenses of final integration projects by student-groups. About 210 students sat in my classes this entire year: male, female; lay people, seminarians, priests, consecrated persons; in various ministries in the church and professions in civil society. Colleagues have been asking me if there are differences among the students in the different schools where I taught. I avoid directly answering them because of the diversity of course I directed and the range of number of students per class, from 10 to 49. I also respect the theological orientations or thrusts of the schools, and indeed there are differences, yet I try to be creative and productive in the spaces given to me as a laboratory for new landscapes and new sights. Some will say, 'It’s the school you choose' that matters. Maybe so. But the schools are as good as the teachers in the classrooms. There are teachers like me who teach across different schools and they bear their own disciplines as much as they leave their marks of theological personality and style which they impart to students.
"The mural below is a triptych of 'John the Baptist' painted by Tony Perez, a Filipino visual artist, lyricist, novelist, playwright, editor, clinical therapist, psychic trainer, and an alumnus of Maryhill School of Theology (M.A. Religious Studies). Measuring 5 feet x 12 feet, it hangs in the inner study room of the MST library. Whenever I sit and face the triptych, while preparing for my classes, reading books or papers of students, I find it as a constant reminder that we all are John the Baptist.
"We teachers are in the same boat as John the Baptist, whose role is to prepare the way for a deeper encounter with the Messiah. We do not make any miracles or exorcisms but hopefully like John teachers will be remembered for being the voice in the wilderness. That makes teachers examples for students to follow, that everyone’s calling has dignity to it and God seems to know better than we do and God seems to know better than what is in us (J. Green).
"Teachers of theology, again as John was, are a contrast-people to the world’s preferences. His voice in the wilderness is the voice that co-missioned him to prophesy against the ills of the world and announce the coming of a radically different world. John refused to be silent and it can be said that the prophetic Christian movement began with him: 'In his recorded teaching to the people there is not a word about the customary ritual of religion, about increased Sabbath observance, about stricter washings and sacrifices, or the ordinary exercises of piety. He spoke only of repentance, of ceasing from wrongdoing. He hailed the professional exponents of religion who came to hear him, as a brood of snakes wriggling away from the flames of the judgment. ... The way to prepare for the Messianic era and to escape the wrath of the Messiah was to institute a brotherly [and sisterly] life and to equalize social inequalities' (W. Rauschenbusch). As teachers we don’t teach just knowledge but a vision of life and a mission in the world. Jesus heard also a voice, The Voice. It is He who embodied the voice in actions through what he called the reign-of-God-already-in-our-midst.
"We are all the 'daughter of a sound' ('bat kol', בּת קול; 'kol' literally means 'echo' or 'whisper' but used in biblical sense it is 'divine voice'). Teachers could not have been using their voices if they didn’t hear and listen also to the voice within them and in the world around them, speaking of their vocation and mission. John and us, theology teachers, are path-breakers, path-makers, path-seekers. May all our students become voices of the voiceless in a divided and wounded world and trek the path of peace and justice no matter how dusty, winding, and precarious.
"Till then, happy vacation to students as we teachers need it too. Carpe diem, make your life extraordinary."
Sunday, May 20, 2018
The proper way to do electronic encoding is to encode everything from beginning to end, allowing errata to occur. Afterward, go over the entire document and correct all mistakes.
Do not encode and then stop and then correct an error and then resume encoding. That breaks your line of thought and is more time-consuming. It is also the way of insecure people who have many things to hide, who do not admit their mistakes, and who do not wish others to see their weaknesses.
Do not encode and then stop and then correct an error and then resume encoding. That breaks your line of thought and is more time-consuming. It is also the way of insecure people who have many things to hide, who do not admit their mistakes, and who do not wish others to see their weaknesses.
Saturday, May 19, 2018
Friday, May 18, 2018
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This electronic diary is continued on Tony Perez's Electronic Diary (October 19, 2018 - ) at tonyperezphilippinescyberspacebook41.blogs...
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Posted by my professor Manny de Guzman at Maryhill School of Theology: "Sharing this reflections from my wall, with Tony's pain...
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Dinner at home with Angelique. Aubrey and J. ordered their food from outside and took their dinner upstairs. My younger son Chito arrived t...
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My Tan Doo Cards, a component of my OH Cards Set. (I have the original OH Cards [the foundation cards], Cope [for traumatized persons] Sag...
About Tony Perez
TONY PEREZ is a creative writer, playwright, poet, lyricist, painter, portraitist, fiber artist, sculptor, game designer, fashion photographer, and psychic journalist and trainer. He is one of the 100 Filipino recipients of the 1898-1998 Centennial Artists Awards of the Cultural Center of the Philippines. His other awards include the 13 Artists of the Philippines, the Gawad Pambansang Alagad ni Balagtas from the Writers Union of the Philippines, four National Book Awards from the Manila Critics Circle, a FAMAS Award for Best Story, five prizes from the Cultural Center of the Philippines Playwriting Contest, three prizes from the Don Carlos Palanca Memorial Awards for Literature, the National Fellowship for Drama from the Creative Writing Center of the University of the Philippines, the Irwin Chair in Creative Writing from Ateneo de Manila University, and a prize in photography from the Children’s Museum and Library, Inc.
Among Tony Perez’s plays are "Hoy, Boyet, Tinatawag Ka Na, Hatinggabi Na’y Gising Ka Pa Pala"; Anak ng Araw; "Gabún"; "Alex Antiporda"; "Sierra Lakes"; "Biyernes, 4:00 N.H."; "Sacraments of the Dead"; "The Wayside Café"; Ang Panginoon sa Driod; Isang Pangyayari sa Planas Site; and "Ang Prinsipe Ng Buwan". He wrote the librettos for the musicals Florante at Laura and Sa Pugad ng Adarna for Tanghalang Pilipino and the opera La naval for University of Santo Tomas. His two major drama trilogies are Tatlong Paglalakbay: Tatlong Mahabang Dula ni Tony Perez (Bombita, Biyaheng Timog, Sa North Diversion Road) (University of Santo Tomas Publishing House) and Indakan Ng Mga Puso(Oktubre, Noong Tayo’y Nagmamahalan Pa; Nobyembre, Noong Akala Ko’y Mahal Kita; and Saan Ba Tayo Ihahatid ng Disyembre?).Biyaheng Timog was produced as A Small Matter of Sacrifice in New York City and as Trip to the South in Singapore, and Sa North Diversion Road, as On The North Diversion Road, in Melbourne, Australia. His mentors in literature and drama were Onofre Pagsanghan, Rolando Tinio, Bienvenido Lumbera, Nicanor Tiongson, Virgilio Almario, Cecile Guidote, Nestor Torre, and Randy Ford. His plays for radio, television, and film were directed by Sonia Roco, Lino Brocka, Lupita Concio, Mitos Villareal, Nick Lizaso, Joey Gosiengfiao, Gil Portes, Maryo de los Reyes, Frank Rivera, and Anton Juan. He was featured in National Geographic/Discovery Channel’s “Psychic Detectives” in their Asian Enigma episode.
Tony Perez’s published books include Albert N.: A Case Study and the five volumes in the Cubao Series titled Cubao 1980 At Iba Pang Mga Katha; Cubao Pagkagat Ng Dilim; Cubao Midnight Express; Eros, Thanatos, Cubao; and Cubao-Kalaw Kalaw-Cubao by Cacho Publishing House. His Anvil Transpersonal Psychology Series includes The Calling: A Transpersonal Adventure; Beings: Encounters of the Spirit Questors with Non-human Entities; The Departed: Encounters of the Spirit Questors with Spirits of the Deceased; A Young Man Cries for Justice beyond His Grave Volume I; Stories of the Moon: Further Adventures of the Spirit Questors; Songs of Sunset: Incantations and Spells by the Spirit Questors; Mga Panibagong Kulam; Mga Panibagong Tawas; Mga Panibagong Orasyon; Mga Panibagong Orasyon sa Magica Cantada; Mga Panibagong Ritwal ng Wicca; Mga Panibagong Kulam sa Pag-ibig, and the new series Maligayang Pagdating sa Sitio Catacutan and Malagim ang Gabi sa Sitio Catacutan. He co-authored a children’s book, Inang Bayan’s New Clothes (Anvil Publishing Inc.) His plays, fiction, poems, original knitting patterns, acrostic puzzles, and illustrations were published in various anthologies, textbooks, and magazines including This Same Sky: A Collection of Poems from around The World (edited by Naomi Shihab Nye, Macmillan Publishing Company), Tenggara 23: Journal of Southeast Asian Literature (Jabatan Persuratan Melayu, Universiti Kebangsaan Malaysia), New Writing from the Philippines, Volume 33 (Philippine Studies Series), Modern ASEAN Plays: Philippines (edited by Nicanor G. Tiongson, ASEAN Committee on Culture and Information), A Habit of Shores: An Anthology of Poems, 1965-1974 (edited by Gemino H. Abad, Bureau of National and Foreign Information), Building Communication Skills 6 and Gems of Philippine Literature (Department of Education, Culture, and Sports), Rogue Magazine, The Philippine Star, The Philippines Free Press Magazine, The Sunday Times Magazine, Mr. & Ms. Magazine, andWoman’s Home Companion Magazine. Some of his works in Filipino were translated into English and French. He conducts "Writing from The Heart," a creativity workshop in writing, drawing, and drama to beginners and professionals, and especially to underserved audiences such as faculty and students of public schools, community theater groups, the disadvantaged, the disabled, children in conflict with the law, abused women and children, victims of human trafficking, prisoners, gang leaders, drug rehabilitation residents, and people in need of trauma therapy.
Among Tony Perez’s plays are "Hoy, Boyet, Tinatawag Ka Na, Hatinggabi Na’y Gising Ka Pa Pala"; Anak ng Araw; "Gabún"; "Alex Antiporda"; "Sierra Lakes"; "Biyernes, 4:00 N.H."; "Sacraments of the Dead"; "The Wayside Café"; Ang Panginoon sa Driod; Isang Pangyayari sa Planas Site; and "Ang Prinsipe Ng Buwan". He wrote the librettos for the musicals Florante at Laura and Sa Pugad ng Adarna for Tanghalang Pilipino and the opera La naval for University of Santo Tomas. His two major drama trilogies are Tatlong Paglalakbay: Tatlong Mahabang Dula ni Tony Perez (Bombita, Biyaheng Timog, Sa North Diversion Road) (University of Santo Tomas Publishing House) and Indakan Ng Mga Puso(Oktubre, Noong Tayo’y Nagmamahalan Pa; Nobyembre, Noong Akala Ko’y Mahal Kita; and Saan Ba Tayo Ihahatid ng Disyembre?).Biyaheng Timog was produced as A Small Matter of Sacrifice in New York City and as Trip to the South in Singapore, and Sa North Diversion Road, as On The North Diversion Road, in Melbourne, Australia. His mentors in literature and drama were Onofre Pagsanghan, Rolando Tinio, Bienvenido Lumbera, Nicanor Tiongson, Virgilio Almario, Cecile Guidote, Nestor Torre, and Randy Ford. His plays for radio, television, and film were directed by Sonia Roco, Lino Brocka, Lupita Concio, Mitos Villareal, Nick Lizaso, Joey Gosiengfiao, Gil Portes, Maryo de los Reyes, Frank Rivera, and Anton Juan. He was featured in National Geographic/Discovery Channel’s “Psychic Detectives” in their Asian Enigma episode.
Tony Perez’s published books include Albert N.: A Case Study and the five volumes in the Cubao Series titled Cubao 1980 At Iba Pang Mga Katha; Cubao Pagkagat Ng Dilim; Cubao Midnight Express; Eros, Thanatos, Cubao; and Cubao-Kalaw Kalaw-Cubao by Cacho Publishing House. His Anvil Transpersonal Psychology Series includes The Calling: A Transpersonal Adventure; Beings: Encounters of the Spirit Questors with Non-human Entities; The Departed: Encounters of the Spirit Questors with Spirits of the Deceased; A Young Man Cries for Justice beyond His Grave Volume I; Stories of the Moon: Further Adventures of the Spirit Questors; Songs of Sunset: Incantations and Spells by the Spirit Questors; Mga Panibagong Kulam; Mga Panibagong Tawas; Mga Panibagong Orasyon; Mga Panibagong Orasyon sa Magica Cantada; Mga Panibagong Ritwal ng Wicca; Mga Panibagong Kulam sa Pag-ibig, and the new series Maligayang Pagdating sa Sitio Catacutan and Malagim ang Gabi sa Sitio Catacutan. He co-authored a children’s book, Inang Bayan’s New Clothes (Anvil Publishing Inc.) His plays, fiction, poems, original knitting patterns, acrostic puzzles, and illustrations were published in various anthologies, textbooks, and magazines including This Same Sky: A Collection of Poems from around The World (edited by Naomi Shihab Nye, Macmillan Publishing Company), Tenggara 23: Journal of Southeast Asian Literature (Jabatan Persuratan Melayu, Universiti Kebangsaan Malaysia), New Writing from the Philippines, Volume 33 (Philippine Studies Series), Modern ASEAN Plays: Philippines (edited by Nicanor G. Tiongson, ASEAN Committee on Culture and Information), A Habit of Shores: An Anthology of Poems, 1965-1974 (edited by Gemino H. Abad, Bureau of National and Foreign Information), Building Communication Skills 6 and Gems of Philippine Literature (Department of Education, Culture, and Sports), Rogue Magazine, The Philippine Star, The Philippines Free Press Magazine, The Sunday Times Magazine, Mr. & Ms. Magazine, andWoman’s Home Companion Magazine. Some of his works in Filipino were translated into English and French. He conducts "Writing from The Heart," a creativity workshop in writing, drawing, and drama to beginners and professionals, and especially to underserved audiences such as faculty and students of public schools, community theater groups, the disadvantaged, the disabled, children in conflict with the law, abused women and children, victims of human trafficking, prisoners, gang leaders, drug rehabilitation residents, and people in need of trauma therapy.
In 2013 Mr. Perez decided to post all of his old and new works in cyberspace to make them available to a wider range of people.
Tony Perez’s artworks have been showcased in 21 individual and group art exhibits curated by Marian Pastor Roces, Nonon Padilla, Bobi Villanueva, Judy Sibayan, Lalyn Buncab, Nilo Ilarde, Ernie Patricio and Jun Veloso, Chari Elinzano, Reverend Father Loy Divino (CICM), and Raven Villanueva. Among his art teachers were Araceli Limcaco-Dans, Brenda Fajardo, Virginia Flor Agbayani and Ben-Hur Villanueva of the U.P. College of Fine Arts, Florencio Concepcion and Fernando Sena of The Saturday Group, and Rafael del Casal.
Mr. Perez holds an A.B. in Communications and a Cand. M.A. in Clinical Psychology from Ateneo de Manila University, an M.A. in Religious Studies, magna cum laude, from Maryhill School of Theology in New Manila, and certificates in Publication Design and Production from the Department of Journalism at the University of Wisconsin and Fundamentals of Graphic Design from the University of California at San Francisco. He taught as adjunct lecturer at Ateneo de Manila University, De La Salle University, Saint Scholastica’s College, Maryknoll College, and the Philippine High School for the Arts. His master’s thesis, titled Pagsubok sa Ilang: Ikaapat na Mukha ni Satanas was published by Anvil Publishing Inc. in 2005 and was awarded the National Book Award for Theology and Religion by the Manila Critics Circle in 2006.
Mr. Perez has two sons, Nelson I. Miranda and Chito I. Miranda, four granddaughters, Angelique Pearl Miranda, Nielsen Tegelan, Aubrey Rose Miranda, and Chevy Keith Miranda, and one grandson, Chrysler Vince Miranda. His daughters-in-law are Agnes Tegelan and Ivy Vercasion. They live in Cubao, Quezon City, where Mr. Perez has resided since 1955.
Tony Perez’s artworks have been showcased in 21 individual and group art exhibits curated by Marian Pastor Roces, Nonon Padilla, Bobi Villanueva, Judy Sibayan, Lalyn Buncab, Nilo Ilarde, Ernie Patricio and Jun Veloso, Chari Elinzano, Reverend Father Loy Divino (CICM), and Raven Villanueva. Among his art teachers were Araceli Limcaco-Dans, Brenda Fajardo, Virginia Flor Agbayani and Ben-Hur Villanueva of the U.P. College of Fine Arts, Florencio Concepcion and Fernando Sena of The Saturday Group, and Rafael del Casal.
Mr. Perez holds an A.B. in Communications and a Cand. M.A. in Clinical Psychology from Ateneo de Manila University, an M.A. in Religious Studies, magna cum laude, from Maryhill School of Theology in New Manila, and certificates in Publication Design and Production from the Department of Journalism at the University of Wisconsin and Fundamentals of Graphic Design from the University of California at San Francisco. He taught as adjunct lecturer at Ateneo de Manila University, De La Salle University, Saint Scholastica’s College, Maryknoll College, and the Philippine High School for the Arts. His master’s thesis, titled Pagsubok sa Ilang: Ikaapat na Mukha ni Satanas was published by Anvil Publishing Inc. in 2005 and was awarded the National Book Award for Theology and Religion by the Manila Critics Circle in 2006.
Mr. Perez has two sons, Nelson I. Miranda and Chito I. Miranda, four granddaughters, Angelique Pearl Miranda, Nielsen Tegelan, Aubrey Rose Miranda, and Chevy Keith Miranda, and one grandson, Chrysler Vince Miranda. His daughters-in-law are Agnes Tegelan and Ivy Vercasion. They live in Cubao, Quezon City, where Mr. Perez has resided since 1955.